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8月27日 大陆和台湾教育法比较转载自凯迪
======================== 大陆和台湾教育法比较 第一,为什么要制定教育法? 大陆教育法的解释是“为了发展教育事业,提高全民族的素质,促进社会 主义物质文明和精神文明建设,根据宪法,制定本法。” 台湾教育法的解释是“为保障人民学习及受教育之权利,确立教育基本方针,健全教育体制,特制定本法。” 第二, 教育目的为何? 大陆教育法的解释是“教育必须为社会 主义现代化建设服务,必须与生产劳动相结合,培养德、智、体等方面全面发展的社会 主义事业的建设者和接班人。” 台湾教育法的解释是“教育之目的以培养人民健全人格、民主素养、法治观念、人文涵养、强健体魄及思考、判断与创造能力,并促进其对基 本人权之尊重、生态环境之保护及对不同国家、族群、性别、宗教、文化之了解与关怀,使其成为具有国家意识与国际视野之现代化国民。” 第三,用什么来指导教育? 大陆教育法的解释是“国家坚持以马克 思列 宁主义、毛泽 东思想和建设有中国特 色社 会主 义理论为指导,遵循宪法确定的基本原则,发展社会煮义的教育事业。” 台湾教育法的解释是“教育之实施,应本有教无类、因材施教之原則,以人文精神及科学方法,尊重人性价值,致力开发个人潜能,培养群性, 协助个人追求自我实現。” 第四,教育的内容为何? 大陆教育法规定“国家在受教育者中进行爱国主义、集体主义、社会 主义的教育,进行理想、道德、纪律、法制、国防和民族团结的教育。” 台湾教育法规定“教育应本中立原則。学校不得为特定政 治团体或宗 教信仰从事宣传,主管教育行政机关及学校亦不得强迫学校行政人员、教师及学生参加任何政治团体或宗教活动。” 8月21日 为何眼里含着泪水?因为热爱着这片土地体制化的力量是如此强大,以至于面对残酷的真相却认为是个例。
肖申克的救赎,这部伟大的影片对我印象最深的一个词汇,就是体制化。
个体确实无能为力,但是无数个个体呢?
中心极限定理告诉我们,大量的独立随机变量的极限分布是正态分布
over 8月17日 country &individualhttp://nr.book.sohu.com/s2005/aiyinsitan.shtml “国家是为人而设立的,而人不是为国家而生存;国家应是我们的仆从,而我们不应该是国家的奴隶。” ——爱因斯坦的这句话被德国刻在了政府大楼上 ◆作为科学家的爱因斯坦,他是窥见上帝秘密的人;作为思想家的爱因斯坦,他是窥见人间秘密的人。从某种意义上说,人文科学思想的结晶——那常识般的真理,更接近永恒。这位热爱科学的巨人,一生从未停止过人文思想。他从人文思想中获得的乐趣,并不比在科学思想中获得的乐趣少。不仅是他的科学思维有着“以光速跟着光波跑”的速度,他的人文思维亦然。 8月16日 真実は一体なんなの大陆记者王小山调查如下: 1、《生活报》2007年11月5日报道:13岁的体操高低杠选手何可欣出色地完成了"李娅空翻"的全套动作,战胜了刚刚获得世锦赛季军的国手杨伊琳。 ---------------------------- http://www7.xitek.com/forum/200808/3698/369837/369837_1218659088.jpg http://english.people.com.cn/90001/90779/90867/6416685.html
Uneven-bars queen the new star in town The 14-year-old newcomer to the national team, who was recruited last year, has raised a lot of eyebrows recently after she broke two world records on the uneven bars in as many months. -------------------- http://gb.news.sina.com/dwworld/102-000-000-000/2008-08-15/12367146852.html 转载专贴
8月14日 ABC&NewYork timesFaking Their Way to a Perfect OlympicsOlympics Ceremony Featured Fake Fireworks, Fake Singer, All in the Name of National InterestBy JO LING KENT BEIJING, August 12, 2008 Eager to put on a perfect Olympics, Beijing has swept its streets of fake designer handbags, pirated DVDs and phony corporate logos. That dedication to authenticity apparently does not extend to Olympics ceremonies. In recent days the Chinese Olympics organizers have admitted to faking the "footprint" fireworks that dazzled television audiences around the world. And today they conceded that the perfect little girl who stole the show while singing "Ode to the Motherland" wasn't singing at all. She was lip synching for another little girl who was deemed -- for the good of the country -- not cute enough for China's national image. Fake Fireworks Part of Friday night's jaw-dropping opening ceremonies revealed sweeping shots of the footprints in the skies over Beijing marching from Tiananmen Square north to the Bird's Nest. Viewers were led to believe they were synchronized fireworks going off across the city. Days later it was revealed that the images were computer generated and were only seen by those watching television. There were actual fireworks in Beijing but viewers didn't see them. Producers were fearful that they wouldn't be able to properly capture the images live on TV. At a press conference today, Wang Wei, Beijing Organizing Committee for the Olympic Games (BOCOG) vice-president and spokesman acknowledged that the fireworks may not have been live. "On the day of the ceremony there were actual footprint fireworks from the south to the north of the city," Wang said to reporters. "However, because of poor visibility on the night, some previously recorded footage may have been used." But he did not admit that they were digitally created. However, the Beijing Times newspaper quoted the head of the ceremony's visual effects team, Gao Xiaolong, saying that a 55-second sequence of steps was digitally recreated because it was impossible to film by helicopter. Fake Singer Three days after the opening ceremony, the China Daily newspaper headline declared, "Nine-year-old Lin Miaoke becomes instant star with patriotic song." Her perfect smile and pixie face accompanied by a perfect rendition of "Ode to the Motherland" made her a national sweetheart. Her moment in the spotlight was considered one of the most memorable parts of China's mesmerizing opening. But a few days later, the musical director of the opening ceremony, Chen Qigang, told Beijing Radio that Lin, who was memorably clad in a red dress and white shoes, did not actually sing "Ode to the Motherland." Lin was lip-synching to another girl's voice.
(Landov/AP Photo/ABC) More Photos Chen says that an alternative singer was chosen in a last-minute switch. In the recordings that happened before the opening ceremonies, Chen said, "Lin Maoke's voice didn't quite meet our standard, the breadth and depth wasn't quite up to our standards. So, at last, we decided from a sound perspective to use Yang Peiyi." But Chen Qigang also suggested, however, that Yang Peiyi wasn't cute enough. "The performer was Lin Miaoke, but the sound was Yang Peiyi. The reason...is this: One was for the benefit of the country. The child on camera should be flawless in image, internal feelings, and expression, and Lin Miaoke meets our requirements in those aspects." "However, from a sound perspective, our entire team unanimously agreed that Yang Peiyi fulfilled all of our requirements and more. She is the best." But if Yang Peiyi was the best, why was she not on camera? A photo of Yang posted Tuesday on popular Web site Sina.com shows a smiling girl with bangs and crooked teeth. National Interest In his interview, Chen claimed that the last minute change-up was a "sad decision that we did not want to make." In fact, the change happened at such a late notice that Chen said, "The voice that Lin Miaoke heard was actually Yang Peiyi's sound, but she herself may not have realized this." "We've heard Lin Miaoke's recording," Chen said as he shook his head. "It was played live at a rehearsal. There were many different departments, especially leaders from the Politburo [the Central Communist Party leadership] who all gave us their opinions that it must change. So, we had no choice." Chen believed that replacing Lin's voice with Yang's was fulfilling an obligation to society. "We have a responsibility to face the Chinese audience," Chen said. "I think all of the listeners and audience should also understand this situation. This is for the benefit of the country, the national culture. This is the face, the image of the national music culture. Especially the entrance of our national flag, this is an extremely important, extremely serious matter." "I think this situation is fair for Lin Miaoke and Yang Peiyi, it's fair for both of them. This is to say, [we] have the best image, and the best sound and we combined the two. Blogosphere Reacts Chinese bloggers generally accepted the lip synching and some even approved of it. "Why was the original girl not on stage? Because she was having dental work done," justified a blogger on Sina.com. Another blogger wrote, "Fake singing is not good but for the image and interests of the country, fake singing now and again is acceptable." "On a sidenote, we should recognize that lip synching is in fact a form of art," the same blogger said sarcastically, in an attempt to provoke others. Others found nothing wrong with the lip-synching. "Lip synching has been happening for decades. Putting on the best performance we can is the most important. Plus two girls, not just one, got a chance to be famous. Their futures are very bright." The Associated Press and ABC News' Cao Jun contributed to this story. ================================================================
In Grand Olympic Show, Some Sleight of Voice
Left, Agence France-Presse; Right, Zhou Liang/Xinhua
When Lin Miaoke, right, opened her mouth to sing "Ode to the Motherland" during the opening ceremony of the Beijing Olympics, the voice that was actually heard was a recording of seven-year-old Yang Peiyi, left. By JIM YARDLEY
Published: August 12, 2008
BEIJING — Pigtailed and smiling, Lin Miaoke, age 9, stood in a red dress and white shoes during Friday’s Olympic opening ceremonies and performed “Ode to the Motherland” in what would become one of the evening’s most indelible images: a lone child, fireworks blazing overhead, singing a patriotic ballad before an estimated one billion viewers. Except that her proud father, Lin Hui, noticed “that the voice was a little different from hers.” On Tuesday, Mr. Lin said in a telephone interview that he had assumed “the difference might be caused by the acoustics.” Acoustics had nothing to do with it. Under pressure from the highest levels of the ruling Communist Party to find the perfect face and voice, the ceremonies’ production team concluded that the best solution was to use two girls instead of one. Miaoke, a third grader, was judged cute and appealing but “not suitable” as a singer. Another girl, Yang Peiyi, 7, was judged the best singer but not as cute. So when Miaoke opened her mouth to sing, the voice that was actually heard was a recording of Peiyi. And it is unclear if Miaoke even knew. “The reason was for the national interest,” explained Chen Qigang, general music designer of the opening ceremonies, who revealed the deception Sunday during a radio interview. “The child on camera should be flawless in image, internal feeling and expression.” The Chinese government has taken great pains to present the best possible image to the outside world during the Olympics, and perfection was the goal for the dazzling opening ceremonies. The filmmaker Zhang Yimou, who oversaw the production, has earned international praise for staging a performance that many considered one of the most spectacular in Olympic history. But to achieve the spectacular, not only did organizers fake the song, but they also have acknowledged that one early sequence of the stunning fireworks shown to television viewers actually included digitally enhanced computer graphics used for “theatrical effect.” Using recorded music during large outdoor performances is hardly unprecedented. At the 2006 Winter Olympics in Turin, Italy, for example, the famed tenor Luciano Pavarotti, then 70, lip-synched an aria because of his age and the cold weather. But the recording was still his voice. After last Friday’s performance, Mr. Zhang appeared at a news conference with Chinese reporters and praised Miaoke. “She’s very cute and sings quite well, too,” he said. Asked to name which section of the show he found most satisfying, he first mentioned Miaoke. “I was moved every time we did a rehearsal on this, from the bottom of my heart,” he said, according to a transcript of the news conference. Miaoke’s song was considered critical because it coincided with the arrival of the Chinese flag in the massive National Stadium, known as the Bird’s Nest. In his radio interview, Mr. Chen said a member of the Communist Party’s powerful Politburo, whom he did not identify, attended one of the last rehearsals, along with many other officials, and demanded that Miaoke’s voice “must change.” By Tuesday, the Chinese news media had already pounced on the story, instigating a national conversation that government censors were trying to mute by stripping away many, but not all, of the public comments posted online. Many remaining comments expressed outrage over the cold calculation used to appraise the girls. “Please save the last bit of trueness in our children,” wrote one person, who used the online name Weirderhua. “They think Yang Peiyi’s smile is not cute enough? What we need is truth, not some fake loveliness! I hope the kids will not be hurt. This is not their fault.” Another person added: “Children are innocent. Don’t contaminate their minds!” Mr. Lin said his daughter had been under strict orders not to discuss plans for the performance. Indeed, he got only 15 minutes’ notice that she would be the singer, and he was thrilled as he watched on television. He learned only later of the voice switch, when he saw a video clip of the interview with the music director, Mr. Chen. In that interview, on a program called “Beijing Music Radio,” Mr. Chen depicted a difficult process of selecting a child singer. He said about 10 children had been chosen who “had a good image and who can sing well.” Initially, a 10-year-old girl was selected “whose voice was really good.” This girl held the role for most of the rehearsals — until Mr. Zhang decided she was too old. Then, Mr. Chen said, several younger girls, including Miaoke and Peiyi, were taken to the Central People’s Radio Station in Beijing. “After the recording, we thought that Lin Miaoke’s voice was not very suitable,” Mr. Chen said. “Finally, we made the decision that the voice we would use was Yang Peiyi’s.” But not the face: photos of Peiyi posted online show a happy girl with imperfect teeth, hardly an uncommon problem in China. “Everyone should understand this in this way,” Mr. Chen said. “This is in the national interest. It is the image of our national music, national culture, especially during the entrance of our national flag. This is an extremely important, extremely serious matter.” He added, “I think it is fair to both Lin Miaoke and Yang Peiyi.” On Monday, Peiyi appeared on China Central Television, or CCTV, the state network. “I’m O.K. with it,” she told her interviewer, even performing a song. “My voice was used in the performance. I think that’s enough.” Miaoke’s father, a news photographer at a Chinese newspaper, was worried about how she would take the news. Since age 6, Miaoke has worked in television advertisements, even appearing with the country’s wildly popular hurdling champion, Liu Xiang. Her appearance in the opening ceremonies made her an instant celebrity in China, and her image was reproduced around the world. “Here’s something I want to tell you,” Mr. Lin said he had told his daughter. “The music director announced just now that it was not your voice when you were singing at the opening ceremony. The song was actually performed by you two girls.” Mr. Lin said his daughter was not upset. He said that Miaoke and Peiyi were “good friends” and that Miaoke “doesn’t care who sang the song, as long as she performed.” Then he added: “I don’t care about this either. The only thing I care about is that my daughter will not get hurt by this. She’ll understand when she grows up.” Huang Yuanxi contributed research. |
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